Interviews with OSC • PreAP- Mr. Card Responds -- Sterbenz's Student Blog 7 April 2011 • Buggers and Pathfinders–Orson Scott Card -- Interview with David Steffen 25 January 2010 • OSC Interview at National Review Online 2008 • Q&A with Orson Scott Card -- The full interview text June 2006 • E3 2005 Orson Scott Card Interview 2005 • OSC Interview by John C. Snider. April 2005 • Ender's Game Q&A 2004 • Ender's Game questions from a student in Singapore 2004 • Interview with Sonja 2004 • MBA Class Interview - Dartmouth College 2004 • Orson Scott Card interview in French 2003 • OSC interview about Advent Rising. Interview at gamepro.com September 19, 2003 • OSC interview with a French magazine August 2003 • OSC answers questions about achieving a successful film based on a book 2003 • If you speak Polish, here's an interview with OSC published by the magazine Esensja 2002 • Interview by Kristin Galetta and Justin Goldner October 2002 • Interview from Poland January 17, 2002 • Questions from Playwriting Student Darren Pine April 2001 • Various Student Interviews With OSC  1  |  2  |  3 • Publishers Weekly Talks with Orson Scott Card November 2000 • A Conversation With Orson Scott Card - by Claire E. White September 1999 • CARD'S GAME: An Interview With Orson Scott Card - by Scott Nicholson 1998 • An Interview With Orson Scott Card - by Jeff Duke 1997 • AOL Interview January 19, 1994

OSC Answers
I tell my writing students that every character is the hero of his own story, and that's what I proved. At first Bean was refreshing an old series for me, but by the time I was finished with the book he had a complete life of his own. The goal was to write something that was more like Ender's Game than the sequels had been to satisfy audience demand. I would have gotten someone else to write within the Ender universe if the numbers had worked out. But because the Ender's Game movie hasn't been made yet, we couldn't afford the kind of write that I wanted. We could, however, afford me. I have to say that going back and doing the parallel novel was an artistic challenge. I've learned a few things since 1985, so I was hoping that I would write a better book than Ender's Game. I think I did.

OSC Answers
To children, life is real. They don't think of themselves as cute or sweet. I translate their thoughts from the language available to children into the language available to adults. Every fear or terror that a child feels is more important, more real than it is to an adult, and children are every bit as complex. Childhood cries out for a certain amount of suffering. Whatever misfortunes and negatives are available become very important and dark. One of the reasons the story of Ender's Game resonates so much with children is that it's the kind of life they already think they lead. The adults don't take them seriously, that's all.

OSC Answers
I hate black and white representations of good versus evil, that's so boring. When a character comes upon a case of right and wrong and chooses to do wrong, that shows you he's the kind of jerk who'd do that. My characters wrestle with real moral dilemmas where all the choices have steep prices. If they make the selfish choice, then I show the consequences. I'm not trying to teach that lesson, though it underlies everything I write.

OSC Answers
I show my characters having a religious life when appropriate. One of the great deceptions of contemporary media is that nobody talks or thinks about God when in the real world most people do. In the Shadow books I have a character who's a nun because that's mildly interesting and she fills a role. She talks about religion with Bean, and he doesn't buy it. The banter between them amused me and seemed truthful.

OSC Answers
If I wish to have my books placed at the same quantity, SF is where I have to write. I do write books out of genre that don't get placed the same way, so apparently that's not by sole motive. The truth is, SF is the most powerful genre available right now. Mainstream literature is so stultifyingly rigid. I just don't want to talk to people who believed everything their English teachers told them. I want to reach people who read books for the sheer pleasure of it, because those are the people who are open to having their lives changed by what they read.